Album of the Month: Dawes – Nothing Is Wrong

Dawes: Nothing Is Wrong (ATO, 2011)

Oh my. Time Spent In Los Angeles and If I Wanted Someone. That’s one hell of a way to start an album. Two songs that both easily qualify to the “hey, this must the best song ever” -category. At first, it almost seemed like those two songs are just too damn brilliant and the rest of the album just can’t live up to them. Thankfully, this is not the case and the rest of the album is also mostly stunning even though those two beauties remain as my biggest love affairs.

Dawes’ debut album North Hills already featured on onechord.net’s best albums of the year 2009 list, but Paste’s wonderful live premiere of this second album Nothing is Wrong was the final eye opener. After watching them play Time Spent in Los Angeles I was already completely in love with them, bought the album the next day and since I’ve been shouting their name from the rooftops.  Of course, I had been following them since the debut, but before Nothing Is Wrong they were still just another really great band. Now they are a huge favourite of mine. During the recent years, hardly anyone has created something equally brilliant from the 70’s folk rock and California sound influences as Dawes does on Nothing Is Wrong. Pretty much only Beachwood Sparks comes to mind right now, but it’s already eleven years from their amazing debut. While Beachwood Sparks flavored their west coast cake with psychedelic things, Dawes’ other main ingredients would be closer to soulful americana.. and the shelf that contains soft rock albums and even 70’s am pop singles is also within reach. The frontman Taylor Goldsmith is an excellent songwriter and I love his mellow voice. Oh and the harmonies are gold throughout the record. Jackson Browne and Benmont Tench make guest appearances on the album and it would be hard to picture anyone more suited for the job.

I kind of understand if someone thinks Dawes’ mellow folk rock is just indifferent and pleasant background music, but I could never feel the same. This is extremely close to perfection in my book.  There are a couple of songs that are nothing that special, but in the end, I love the album so much that giving anything other than full five hearts would feel more painful than watching a Steven Seagal movie marathon.

Time Spent In Los Angeles – Live in the Bing Lounge:
[youtube=http://www.youtube.com/watch?v=kpavlUBn-Q4]

If I Wanted Someone – Live in an alley:
[youtube=http://www.youtube.com/watch?v=qZJWeFU9gA4]

Dawes Website

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Review: Hezekiah Jones – Have You Seen Our New Fort?

Hezekiah Jones: Have You Seen Our New Fort? (Yer Bird Records, 2011)

Lately I’ve been getting more and more addicted to Hezekiah Jones. It’s a Philly-based folk collective led by Raphael Cutrufello. Their latest album Have You Seen Our New Fort? came out a couple of months ago on one of the best labels there is Yer Bird Records. They don’t have the financial muscle to release a huge amount of stuff, but each and every release is like a handpicked little treasure.

Hezekiah Jones have more instruments and more people than I can name and that could lead to a horrible mess, but that is not the case, because they are all there for the sake of the song. Have You Seen Our New Fort? is definitely another little treasure and contains beautifully arranged alternative folk music. My favourites are the beautiful and slow folk tunes like Lift The Shadow From This Heart and The Last Parade On Ann St that somehow brings to mind another album that I really love, Norfolk & Western’s Dusk In Cold Parlours. It’s all pretty fabulous (apart from Some Things To Help You maybe) and makes you wonder why such a talented guy like Raphael Cutrufello is still relatively unknown. Hopefully this new interest towards folk music means that wonderful folk musicians like Chris Bathgate and Raphael Cutrufello will soon get the recognition they really deserve.

Listen to Lift The Shadow From This Heart:

[youtube=http://www.youtube.com/watch?v=ZjHZuOZyelA]

Listen to a absolutely stunning new song Borrowed Heart

[youtube=http://www.youtube.com/watch?v=oo10gRImsWE]

Hezekiah Jones at Facebook

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Review: Patrick Sweany – That Old Southern Drag

Patrick Sweany: That Old Southern Drag (Nine Mile Records, 2011)

I probably know more about underwater rugby than I know about blues music, but there’s no doubt in my mind that Patrick Sweany’s soulful blues rock is just damn brilliant.  That Old Southern Drag is Patrick’s fifth album. I haven’t heard the earlier ones. A couple of them were produced by Dan Auerbach from The Black Keys and even on the new album some of the songs fall around the same neighbourhood as The Black Keys. However, Patrick’s blues-rock is often more old-fashioned and soul-tinged and therefore someone like James Hunter is a closer match at times. The key thing is the variety. 50’s rock’n’roll, old blues, soul, indie rock and country. It’s all there and everything sounds extremely convincing. Every song is a winner. Check out a couple of samples below and stream the album at Bandcamp or Spotify.

Patrick Sweany Website
Patrick Sweany at Bandcamp

And a big thank you to Now This Sound Is Brave for turning me on to Patrick Sweany.

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Review: The Mommyheads – Delicate Friction

The Mommyheads: Delicate Friction (Dead Frog Records, 2011)

The Mommyheads concert at klubi, Turku has been one of the highlights of the year. They played for a long time and sang so beautifully. I loved it to bits. I’m not as thrilled about their latest album Delicate Friction, because it’s not style-wise totally my kind of stuff. I love their great pop singles, but at times they get a little too ambitious and progressive for my taste.  It didn’t matter at all during the live concert, but at home their music doesn’t completely fall into my comfort zone. As you know, I’m a narrow-minded pop freak who prefers simple things and runs into the corner and yells for mom every time he encounters something that contains more than three chords and has lyrics that aren’t about the girl/boy the character of the song loves, has loved or is dreaming about. This is obviously my own problem and if onechord.net was an objective rock magazine I would praise their ability to mix Jellyfishque pop music and 70’s prog elements. However, there’s a lot of stuff that I do love. For example that opener I Wanna Stay that reminds me of Jellyfish a bit, the wonderful pop single Another Crowded House, the really beautiful last song Hello Friends and the amazing title track Delicate Friction that contains enough greatness for two or three songs. And even the songs that I don’t love that much as a whole contain some really magical moments, so I do like the album a lot even though it’s not totally my cup of cheese cake.

The Mommyheads Website
The Mommyheads at Facebook

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