Dan Auerbach: Keep It Hid

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Dan Auerbach: Keep It Hid (V2 Music, 2009)

I’m not the biggest The Black Keys fan out there, but I bought used copy of their Attack & Release album last year and noticed that I can enjoy blues rock to a certain degree. Therefore I decided to give this solo album by Dan Auerbach a chance as well even though I knew that it might not be totally my slice of cheese cake. Not a bad decision, because Keep It Hid is an enjoyable affair. It doesn’t hit the jackpot though. The problem with the bluesy material is that it feels that The Black Keys could make it sound more powerful and dangerous. However, Keep It Hid is more than just bluesy guitars. There’s quite a lot of variation actually and for me the highlights are beautiful ballad When The Night Comes that features wonderful Jessica Lea Mayfield on harmony vocals, folkier Whispered Words (Pretty Lies) that was written by his father and My Last Mistake that has a Fogerty-ish pop sense.

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Dan Auerbach at myspace

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Bonnie Prince Billy: Beware

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Bonnie Prince Billy: Beware (Domino, 2009)

Last year’s Lie Down In The Light might be my favourite Bonnie Prince Billy album, but unfortunately I’m not equally thrilled about his new album Beware. It’s again beautiful and intimate piece of music, but this time the song material isn’t as captivating as before. Maybe I should give it more time, because this peaceful folk music isn’t instant hit material. Despite not falling in love with the whole album, it does have its moments. These moments are called You Can’t Hurt Me Now, I Don’t Belong To Anyone and Death Final. Three absolutely wonderful songs. Songs that would easily qualify for the imaginary The Best of Bonnie Prince Billy album. Even though I’m not that excited about the whole album, these three five heart songs lift the album far above mediocrity.

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Bonnie Prince Billy Website
Bonnie Prince Billy at myspace

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Shaun Harris: Shaun Harris

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Shaun Harris: Shaun Harris (Rev-Ola, 2005)

This is not a new album and it isn’t even a new reissue, but I love this so much that I need to praise it a bit. Why should there be a law against reviewing older releases. And well this is my blog so I can make the rules.

Shaun Harris is probably much better known as a member of The West Coast Pop Art Experimental Band, but he also did one solo album for Capitol Records. This beautiful album came out on the same day as Dark Side Of The Moon back in 1973 and unfortunately Capitol Records focused on Dark Side Of The Moon and the promotion of Shaun Harris album was non-existant. Well it probably wouldn’t have made a huge difference, even though it feels oh so cruel that such a beautiful soft pop album went unnoticed at the time. This is just great orchestrated pop music and I kind of like the contrast with the lyrics and the music.  The music is beautiful and soft (albeit melancholic), but the lyrics get really depressing at times and seem to be more suited for a country artist who has swallowed a bottle of self pity. Sometimes it feels like the character in the songs would beat me in the imaginary “Who has the lowest self esteem” competition and that’s one of the very few competitions where I would be a really tough opposition. However, because the music is beautiful orchestrated pop music it doesn’t get too depressing and instead I’m just trying to figure out should I be happy or sad while listening to it. Soon I will give up and just enjoy listening to wonderful songs like Empty Without You, Color Of Your Eyes and Canadian Ships.

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