The Shazam: Meteor

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The Shazam: Meteor (Not Lame, 2009)

There are a lot of so called power pop bands that don’t take the “power” part of the term very seriously. The Shazam has never been one of them and they’ve been one of the finest rockin’ pop bands since the late 90s. The band went quiet for some time, but thankfully the year 2009 dropped a new pop meteor into our hands. It’s a first The Shazam album in six years, but the quality of the band didn’t fade away during the break. Despite adding a couple of ridicilously bad songs to the album, The Shazam is still among the finest bands in the power pop genre.

Let’s start with the bad things. I really can’t stand Disco at The Fairgrounds one bit. It’s just way too goofy for me and incredibly annoying. On Latherman Saves The World, the glam goofiness actually works and the song is actually really really good. But Disco at The Fairgrounds is just a nightmare on a pop record. Other not-that-good moments are NFU that is destroyed in the chorus by repeating that “not fucked up enough” line over an over again and a boring psychedelic rocker Dreamcrush Machine that never has anything going on that even could be destroyed. However, that’s just three songs. What about the rest? Well let’s rule Time For Pie, Hey Mom I Got The Bomb and that Latherman above as really good stuff and then there’s five songs left.  And this is where the rockin’ power pop heaven starts. Power chords, gorgeous singing, huge amount of hooks and thoughtful arrangements. Songs that might seem straightforward rock songs at first can contain surprising amount of details & depth and anything can happen within the songs. The opener So Awesome is a gorgeous rock anthem, while Always Tomorrow throws in some Big Star influences in the verse and angelic chorus on top of that.  Let It Fly’s sensitive beginning bursts into a drop-dead-gorgeous power pop chorus while A Little Better is a bit more playful, but equally wonderful. Don’t Look Down makes the tempo a little slower, but don’t alter the quality. Just fabulous stuff altogether. During their finest hour, The Shazam is absolutely wonderful.

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The Shazam Website
The Shazam at myspace

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The Campbell Stokes Sunshine Recorder: Make Your Ears Smile

Campbell Stokes Sunshine Recorder

The Campbell Stokes Sunshine Recorder: Makes Your Ears Smile (Jack O’ The Green, 2009)

Besides being a major contributor to a) the greatest music magazine Shindig! b) the greatest reissue label Rev-Ola, Andy Morten is also making pop music under the name The Campbell Stokes Sunshine Recorder. Unlike Shindig! and Rev-Ola, The Campbell Stokes Sunshine Recorder might not be one of the greatest things in the world, but it’s truly enjoyable pop music nevertheless. Andy Morten used to be in a great british psychedelic power pop group Bronco Bullfrog that released some fine albums before breaking up some years ago. He wrote a major share of their great songs so he has proved himself as a great pop tunesmith even before The Campbell Stokes Sunshine Recorder.

Makes Your Ears Smile does what the title promises. It’s a really good uplifting pop record that contains melodic pop treats that somehow keep the sun up even though your calendar states that sunset should have happened an hour ago. Only minor flaw for me is that there a couple of lyrics that I don’t like at all. Especially the opening track entitled Track One tries to be a bit too witty and it manages to spoil that otherwise good song for me. But mostly Makes Your Ears Smile contains really good pop music with traces of psychedelia here and there.  Songs like Olivia’s Plaything and She Looks Good In The Sun are marvellous, but I must say that my favourite The Campbell Stokes Sunshine Recorder so far is that psychedelic pop jewel Elliot Sunshine from the Shindig! compilation. If that song is from the upcoming up second album, the sun is indeed shining for Andy Morten and things look really promising.

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The Campbell Stokes Sunshine Recorder at myspace

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The Felice Brothers: Yonder Is The Clock

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The Felice Brothers: Yonder Is The Clock (Team Love, 2009)

During the last few years The Felice Brothers has been one of my favourite bands and therefore I would like to love Yonder Is The Clock more than I actually do. I’ve tried to convince myself that’s is equally great as Tonight at the Arizona, but I suppose I finally have to admit to myself that it just isn’t. This doesn’t mean it isn’t a fine american folk album, because it definitely is. It just isn’t able to live up to my unfairly high expectations. The problem probably is the fact that most of it just isn’t very instant and the patience of a pop fan is put to real test.  The stories and the harmonies are still captivating, but the song material doesn’t reach the level of early favourites Frankie’s Gun, Your Belly In My Arms and Ballad of Lou The Welterweight. Well apart from Katie Dear, which is a gorgeous folk ballad. My other favourites are All When We Were Young, Boys From Lawrence County and Buried In Ice, but most of Yonder Is The Clock  is “only good” traditional american music. There’s nothing really wrong with that, but one tends to expect more from The Felice Brothers.

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The Felice Brothers at myspace

The Felice Brothers website

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