Bonnie Prince Billy: Beware

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Bonnie Prince Billy: Beware (Domino, 2009)

Last year’s Lie Down In The Light might be my favourite Bonnie Prince Billy album, but unfortunately I’m not equally thrilled about his new album Beware. It’s again beautiful and intimate piece of music, but this time the song material isn’t as captivating as before. Maybe I should give it more time, because this peaceful folk music isn’t instant hit material. Despite not falling in love with the whole album, it does have its moments. These moments are called You Can’t Hurt Me Now, I Don’t Belong To Anyone and Death Final. Three absolutely wonderful songs. Songs that would easily qualify for the imaginary The Best of Bonnie Prince Billy album. Even though I’m not that excited about the whole album, these three five heart songs lift the album far above mediocrity.

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Bonnie Prince Billy Website
Bonnie Prince Billy at myspace

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Shaun Harris: Shaun Harris

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Shaun Harris: Shaun Harris (Rev-Ola, 2005)

This is not a new album and it isn’t even a new reissue, but I love this so much that I need to praise it a bit. Why should there be a law against reviewing older releases. And well this is my blog so I can make the rules.

Shaun Harris is probably much better known as a member of The West Coast Pop Art Experimental Band, but he also did one solo album for Capitol Records. This beautiful album came out on the same day as Dark Side Of The Moon back in 1973 and unfortunately Capitol Records focused on Dark Side Of The Moon and the promotion of Shaun Harris album was non-existant. Well it probably wouldn’t have made a huge difference, even though it feels oh so cruel that such a beautiful soft pop album went unnoticed at the time. This is just great orchestrated pop music and I kind of like the contrast with the lyrics and the music.  The music is beautiful and soft (albeit melancholic), but the lyrics get really depressing at times and seem to be more suited for a country artist who has swallowed a bottle of self pity. Sometimes it feels like the character in the songs would beat me in the imaginary “Who has the lowest self esteem” competition and that’s one of the very few competitions where I would be a really tough opposition. However, because the music is beautiful orchestrated pop music it doesn’t get too depressing and instead I’m just trying to figure out should I be happy or sad while listening to it. Soon I will give up and just enjoy listening to wonderful songs like Empty Without You, Color Of Your Eyes and Canadian Ships.

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Magnolia Electric Co.: Josephine

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The Magnolia Electric Co: Josephine (Secretly Canadian, 2009)

The Magnolia Electric Co’s new album Josephine is a concept album. It’s a tribute to their bassist Evan Farrell who passed away way ahead of his time in december 2007. It’s a melancholic album and sometimes the sadness almost gets overwhelming. Therefore it’s not an easy album to listen to, but still a very rewarding one. It’s moving, beautiful and heartbreaking piece of music. The first half of Josephine is pure perfectness and songs like O! Grace and Shenandoah are truly amazing.  It’s touching, but it doesn’t get too dark in the beginning.  During the second half of the album, there are moments when the sadness covers too much ground and it’s getting harder to see the light anymore.  That doesn’t always seem appealing and this is why I usually prefer the beginning stages of the album. The quality remains equally high throughout the record, but I just don’t want to sink too deep into sadness every day.

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The Magnolia Electric Co Website
The Magnolia Electric Co at myspace

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Jim Basnight: We Rocked and Rolled

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Jim Basnight: We Rocked and Rolled – The First 25 Years of Jim Basnight: The Moberlys and Beyond (Disclosed Records 2008)

Jim Basnight is a Seattle-based musician who has been making great pop music for 25 years and has now put together a career spanning collection of his finest songs. Like all compilations should, We Rocked and Rolled goes on in chronological order and therefore it’s time to set the time machine to late 70’s and early 80’s and give The Moberlys the first chance to win my heart over. It’s a rather easy task to them, because The Moberlys played my kind of music. This is just fabulous rockin’ garage pop / power pop that has everything I need. There’s great catchy songs that do rock hard but do not forget the importance of gorgeous harmonies and sweet melodies. Half of this collection is filled with songs by The Moberlys which is a good idea, because all of these are great and there’s some (should-be) power pop classics and jewels like You Know, I Know, I Wanna Be Yours, I Need Your Love and Last Night among them.

Leaving The Moberlys behind and moving on to the 90’s and Jim Basnight’s solo album Pop Top that was a very fine guitar pop release. Hello Mary Jane and Stop The Words continue on the same catchy as hell path that The Moberlys set up, but Opportunity Knocks is a bit of a boring rocker as far as I’m concerned. There would have been a lot better stuff on the album Pop Top. In the late 90’s Jim formed a new band The Rockinhams that lived up to its name. The Rockinhams delivered simple almost punky power pop songs and released one album on Not Lame Recording Company.  Four songs made the cut and this is all really good stuff even though I’m a little bit surprised that the wonderful opener Played A Trick isn’t included. Out of the ones that made the cut, the biggest applauds goes to Rock and Roll Girlfriend. Simple, almost hilarious, but oh so enjoyable rock anthem in the vein of Slade or early KISS.

The Jim Basnight Thing is next in line. During this time Jim added some jazzy and folky moods to his music. There’s hardly any rock in here and it takes some time to get used to that trumpet that often makes an entrance.  The only Jim Basnight Thing album is bit of “a hit and miss” record for me. However, both songs that are on this compilation belong to the hit category.  The last two songs of this compilation are from Jim Basnight’s Recovery Room album that gathers together songs he wrote during 1999-2004. As an album it’s my least favourite. It does have it’s moments, but all these flutes and string quartets are making me dizzy. I prefer that simple but brilliant rock’n’roll of the early days.

In overall, We Rocked and Rolled is a really good introduction to the music of this underrated tunesmith. He certainly has an ear for melody and has written lots of wonderful power pop songs during his career. I probably would have been even more thrilled about some The Best Of The Moberlys compilation but the later stuff is also very enjoyable.

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Jim Basnight Discography:

The Moberlys: Sexteen (Wonderful debut album full of great rockin’ power pop / garage pop, 4 hearts for this 23 song version I have here. The finest stuff on this is worth a lot more though)
Jim Basnight & The Moberlys:  Seattle – New York – Los Angeles
(collects together recordings The Moberlys did during 82-89, not all are perfect but you could form a stunning 12-14 song album out of these 23 tracks, 4 hearts.. but that imaginary 12-14 song album would be close to 5)
Jim Basnight: Pop Top
(A really good guitar pop album, 4 hearts)
Jim Basnight Thing: S/T
(Adds a bit jazzy and folky moments to Jim’s pop music. Sounds scary, but works pretty well. 3 hearts)
The Rockinghams: Makin’ Bacon
(Played A Trick, Need A Car and Rock’n’roll Girlfriend is one hell of a song trio, but this rock’n’roll rocket does have some “only ok” material as well. 3,5 hearts)
Jim Basnight: Recovery Room
(The latest effort that compiles together tracks he did during 5 year period 1999-2004. A bit incoherent maybe, but does have some great moments. The string arrangements and such goes a bit too far for a fan of simple pop music and this isn’t totally my cup of tea as a whole. 3 hearts)

Jim Basnight Website
Jim Basnight at myspace
Jim Basnight and The Moberlys at myspace

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