Review: Phil Wilson – God Bless Jim Kennedy

Phil Wilson: God Bless Jim Kennedy (Yesboyicecream / Slumberland, 2010)

Phil Wilson was the frontman of the somewhat legendary mid-eighties indie pop group The June Brides and now, over 20 years later, Phil returns to this ball game  and shows that he can still handle the art of writing really good pop music. That’s also a small relief, because every now and then one has to face the fact that a past hero returns and releases something that you don’t find interesting at all. Thankfully this is not the case with Phil Wilson. God Bless Jim Kennedy is a great pop album and it seems like quite a logical step forward even though there’s over 20 years in between the last The June Brides releases and this album. He hasn’t abandoned his indie pop roots and a lot of that same magic is still around. However, he is not just trying to relive the past glory by totally copying the old sound, because it’s the only thing he knows how. Not at all.  It’s more like he is just gently modernizing the 80’s indie pop sound and it works beautifully. The album is full of sweet & delicate pop songs which are also catchy and danceable and the whole thing sounds fascinating. Well done.

I Own It:
[youtube=http://www.youtube.com/watch?v=92ejojMSoO0]

Phil Wilson Website

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Review: Jonny – Jonny


Jonny: Jonny (Turnstile Records, 2011)

Euros Childs and Norman Blake working together sounds like a match made in harmonic pop heaven. Their collaborative project Jonny has an album out on Turnstile Records and it’s a really lovely pop album. These guys are such a fantastic pop tunesmiths that they could write good pop songs without even trying too hard. Maybe some of these songs even feel like they haven’t tried too hard and aren’t anything that special when compared to some of the magic that Teenage Fanclub and Gorky’s Zygotic Mynci have created in the past. But why should I blame them for having fun and making carefree, warm and playful pop music. There’s absolutely no harm in that and everything sounds lovely (well apart from 10 minutes long Cave Dance) and enjoyable. And don’t get me wrong, only about half of it falls into this “lovely, but nothing truly special category”. The other half contains a lot of magical pop moments and songs like Circling The Sun, Candyfloss, English Lady and I Want To Be Around You set the bar extremely high in the pole vault competition for the best pop songs of 2011.

Candyfloss:
[youtube=http://www.youtube.com/watch?v=0yhaEch_Iuc]

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Album of the Month: Jessica Lea Mayfield – Tell Me

Jessica Lea Mayfield: Tell Me (Nonesuch, 2011)

The first 2011 album that I’ve completely fallen in love with. Jessica Lea Mayfield’s previous album With Blasphemy So Heartfelt was already a rather convincing effort and made it on my end of the year list back in 2008. The album showcased a huge amount of talent and now this 21-year-old songwriter from Kent, Ohio is totally ready to enter into the major league.

Jessica Lea Mayfield might not be the most technically gifted vocalist and she might not have the highest range of voice, but I find her calm and mellow voice totally irresistible and captivating. That voice never fails to carry her dark-flavoured and emotion-filled words into my veins. She is a fabulous songwriter and have been able to create a magical album. I pretty much love every song on the album. Tell Me certainly has a moody and sad tone, but I don’t find it depressive or miserable at all. Her declarative brokenhearted confessions are haunting and able to cause a serene havoc inside me, but they also inject a giant dose of pure, honest and intimate human feelings into the core of my heart and suddenly the warmness surrounds and I can see the sunshine again.

Dan Auerbach
has done an excellent job with the production,  have kept things relatively down-to-earth and have just added some colour and vision. One could so easily destroy such a beautiful album with overproducing, but Dan has done the  right thing and lets Jessica Lea Mayfield’s charm and presence carry the album. I’m kind of surprised that the drum loops didn’t scare me off at all. Usually that’s the kind of stuff that annoys me and I start to search live acoustic versions of the same songs from youtube. There’s one thing that annoys me though and I would really like to say a couple of rude words to the person responsible for adding those uhh & ahh noises to the background of the title track Tell Me. I really hate that. It almost spoils otherwise great song and almost took away the otherwise truly deserved five hearts grade.

I find it hard to categorize her (and why should I categorize her?). There’s certainly a lot of folk and americana in her songs, but that’s only a part of her beautifully crafted soundscape. Maybe one part of folk music and one part of dreamy & moody indie rock like Josh Haden’s Spain might get you at least around the same neighborhood.  I don’t really know, but thankfully the only things I need to know are that a) I love her b) she has created a wonderful album.

Jessica Lea Mayfield “Run Myself Into The Ground” from American Songwriter on Vimeo.

Jessica Lea Mayfield Website

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