Review: Eels – End Times


Eels: End Times (E Works, 2010)

Am I a bad person because I always get drawn to Mark Oliver Everett’s music when he is in his most vulnerable and broken state and the happier moments of his music haven’t made equally lasting impression? End Times is the eight Eels album and it ranks among the better half of his wonderful catalogue of albums. It’s bare, intimate and painfully real album about broken love. More people should record albums in their basements with four track tape machines, because End Times sounds much more alive, pure and honest than 99% of the music you hear. End Times might not have much hit potential, but it’s a wonderful album that holds a lot of real dark-coloured beauty inside and in the end hope is an option, not a curse word. “One sweet day I’ll be back on my feet / and I’ll be alright / I just gotta get back on my feet”. I sure hope so mr. E. Even if I’m still a sad case and spent my time listening to these vulnerable masterpieces.

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Eels Website
Eels at myspace

[youtube=http://www.youtube.com/watch?v=Oca-0wH9SyU]

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Review: Bobby Emmett – Learning Love

Bobby Emmett: Learning Love (Self-released, 2009)

I’ve already praised Bobby Emmett a few times and I’ve selected his solo debut Learning Love as the best album of the year 2009. Therefore I won’t write a long review, but still wanted to praise this awesome album one more time. After all, it would be cruel not to review the finest album of the year. It would also be extremely cruel and a crime against pop music if this stunning power pop album just faded into obscurity without people hearing about it and that’s why I NEED to do my extremely minor part in trying to tell the world (or those seven people that regularly read this blog) how wonderful this album is.

Bobby Emmett used to play in The Sights. A really good if not fabulous band from Detroit (I just picked up the albums from my record shelf and noticed that he didn’t play on the great debut album, but appeared as guest on the second album and was a full time member on the third album). Nowadays he is playing in Shooter Jennings’ live band and apparently writing some of the finest power pop songs of the last ten years when he is bored. Learning Love is his magnificent solo debut. It was recorded with vintage equipment and has that 70’s power pop feel on it and time to time it recalls several masters of the era (like Big Star, The Raspberries, Cheap Trick). One of the great things about the record actually is that it has a lot of bits and pieces that reminds me of my favourite bands, but the songs still don’t sound like just half decent pastiches of the old power pop heroes. This is because Bobby Emmett is such a great songwriter and he has written 10 songs that are all gorgeous, catchy and extremely enjoyable. Ok, maybe it isn’t anything completely original but why the hell should it be. It’s just pop music and I love it to bits. Why would I want to bore myself with Kid A’s if I can just dance around in my underwear listening to perfect pop music. Learning Love isn’t totally stuck in the past either. Actually Sloan is the closest comparison if I would have to namedrop one band. It has that same rockin’ but beautiful power pop perfectness going on and Bobby Emmett’s voice sound quite similar as well (Jay Ferguson is also a guest on the record). Anyway, I said I wasn’t going to write a long review, but in the end I’m finding it hard to stop. But I’ll stop now, because there’s no need to go through the songs. They are all either perfect or near-perfect. Learning Love is fantastic album. It might even be my favourite power pop album of the whole decade. At least it’s definitely in the top 10.

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Bobby Emmett at myspace

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Langhorne Slim: Be Set Free

langhorne slim

Langhorne Slim: Be Set Free (Kemado, 2009)

I almost hate myself because I don’t love this album. I became a big Langhorne Slim fan last year and that Langhorne Slim & The War Eagles album was the album of the year for me. Therefore it hurts that I have to admit that Be Set Free is a big dissapointment to me. Langhorne Slim can still write great songs and he can still sing perfectly. There’s nothing wrong with the core of the songs, but why the hell there are tons of instruments in the background. If Marty McFly and Doc would lend me their DeLorean I would change two things. A) I would sack the producer and throw all these strings, organs, trumpets and all the other instruments whose name I don’t even know out of the window B) I would lock Mr Langhorne Slim to the studio with just a guitar and told him to just play the songs live and sing his heart out. Fourty minutes later a great record would have seen the light of the day.

I know this is totally unfair critizism, but for me the arrangements just kill the songs. I’m sure they are genuinely excited about this more ambitious direction and they didn’t do it in order to appeal to larger audiences. Hopefully Langhorne Slim will do just that though and become much more popular. Despite the fact that his music sounds a lot lamer than before he is still a great folk songwriter and most likely a wonderful live performer. What does it really matter if some finnish prick on the other side of the globe prefers those old records. He can just keep on watching that youtube video of I Love You, But Goodbye over and over again because the song sounds so much better there than on the record.

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Langhorne Slim at myspace

 
If it would only sound like this on a record:

 
[youtube=http://www.youtube.com/watch?v=6tQX4tl-Xps]

 

The same song (with a really horrible ending) is also on his myspace if you want to compare. For me this youtube version with just an acoustic guitar is million times better.

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Vetiver: Tight Knit

vetiver

Vetiver: Tight Knit (Bella Union, 2009)

Last year I fell in love with Vetiver after hearing their wonderful cover album Thing Of The Past. It’s like the finest cover album ever and it introduced a lot of brilliant music to me. I’ve bought albums like Loudon Wainwright III’s Attempted Mustache and Bobby Charles self-titled album because of that record. And well obviously the older Vetiver albums too.

This new album Tight Knit arrived in february 2009 and now the band is back making their own music. It still sounds a lot like a thing of the past and that’s only a great thing. Andy Cabic has such an amazing gentle voice and the songs sound oh so subtle and heartwarming. The first trio of songs Rolling Sea, Sister and Everyday is just pure magic. Beautifully arranged and carefully played folk music that is so rich and simple at the same time.  Vetiver takes you on a trip to the seventies west coast where some guys are playing folk and country rock songs on the back porch of an abandoned building and the audience is lying on the ground eight miles high. Unlike a lot of my favourite bands that play slow folk and country music, Vetiver’s music isn’t depressive at all. Warm is the best adjective to describe the music. This is the music that will keep my heart warm when the long winter gives its coldest shots. The second half of the album don’t reach the same level as the first one though and that’s why I have to settle for four hearts.

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Vetiver Website
Vetiver at myspace

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