Review: Mirel Wagner – Mirel Wagner

Mirel Wagner: Mirel Wagner (Kioski Rec, 2011)

Mirel Wagner proves that pitch black can shine brightly. This young singer-songwriter has created something that you rarely or never hear on these shores. On the river banks of Mississippi in the late-twenties it might have been common, but not so much hundred years later in Finland. Maybe the greatest songwriter ever Townes Van Zandt once said that there are two types of music. The blues and zip-a-dee-doo-dah. This falls into the blues category and a graveyard full of black metal guitarists couldn’t create anything half as heavy and raw as Mirel Wagner’s self-titled debut album. I’m still amazed that there’s a young Finnish woman who can write convincing blues songs about subjects like hanging on to a dead lover and kissing his rotten tongue, because death can’t tear them apart.  Mirel Wagner is a huge talent and already a stunning singer-songwriter. Her restrained and bare, but extremely mesmerizing phrasing sends slow-paced shock waves into my bones and the fragile dark beauty of the album completely captures my attention. Occasionally the dreary gloom of the songs can become so excessive that if I look into the mirror, in order to judge the emotions I’m feeling, I see a slightly reserved smile having just a light edge over a mildly scared grin in their quiet battle. No matter which side is winning, there’s always one emotion that stays the same. It’s the love towards her music.

I admit that five hearts might be a little too much at this point in her career, because a couple of these songs aren’t that memorable if you just consider words & composition. However, her presence, the hauntingly brilliant atmosphere and the way she whispers the words into the air, lift even these less-great songs to a whole another level. The album leans strongly to a  folk & blues songwriting tradition, but you shouldn’t get scared if that’s not your cup of cheese cake. For example, this could well appeal to fans of Mazzy Star or Jesse Sykes, or PJ Harvey, because this hits pretty much the same spot in one’s body. Even though they don’t have the courage to hit it with just a staggering voice and a vulnerable guitar. In overall, this rugged, sad & beautiful blues/folk album is simply amazing. It is able to travel into such deep and muddy waters that sometimes I can just barely see the surface, but I’m still fairly confident that these songs are more likely to heal me than drown me.

Mirel Wagner at facebook
Mirel Wagner at myspace

Continue Reading

Album of the Month: Jessica Lea Mayfield – Tell Me

Jessica Lea Mayfield: Tell Me (Nonesuch, 2011)

The first 2011 album that I’ve completely fallen in love with. Jessica Lea Mayfield’s previous album With Blasphemy So Heartfelt was already a rather convincing effort and made it on my end of the year list back in 2008. The album showcased a huge amount of talent and now this 21-year-old songwriter from Kent, Ohio is totally ready to enter into the major league.

Jessica Lea Mayfield might not be the most technically gifted vocalist and she might not have the highest range of voice, but I find her calm and mellow voice totally irresistible and captivating. That voice never fails to carry her dark-flavoured and emotion-filled words into my veins. She is a fabulous songwriter and have been able to create a magical album. I pretty much love every song on the album. Tell Me certainly has a moody and sad tone, but I don’t find it depressive or miserable at all. Her declarative brokenhearted confessions are haunting and able to cause a serene havoc inside me, but they also inject a giant dose of pure, honest and intimate human feelings into the core of my heart and suddenly the warmness surrounds and I can see the sunshine again.

Dan Auerbach
has done an excellent job with the production,  have kept things relatively down-to-earth and have just added some colour and vision. One could so easily destroy such a beautiful album with overproducing, but Dan has done the  right thing and lets Jessica Lea Mayfield’s charm and presence carry the album. I’m kind of surprised that the drum loops didn’t scare me off at all. Usually that’s the kind of stuff that annoys me and I start to search live acoustic versions of the same songs from youtube. There’s one thing that annoys me though and I would really like to say a couple of rude words to the person responsible for adding those uhh & ahh noises to the background of the title track Tell Me. I really hate that. It almost spoils otherwise great song and almost took away the otherwise truly deserved five hearts grade.

I find it hard to categorize her (and why should I categorize her?). There’s certainly a lot of folk and americana in her songs, but that’s only a part of her beautifully crafted soundscape. Maybe one part of folk music and one part of dreamy & moody indie rock like Josh Haden’s Spain might get you at least around the same neighborhood.  I don’t really know, but thankfully the only things I need to know are that a) I love her b) she has created a wonderful album.

Jessica Lea Mayfield “Run Myself Into The Ground” from American Songwriter on Vimeo.

Jessica Lea Mayfield Website

Continue Reading

Carmen & The Devil – Amazing male-female country duets

Carmen & The Devil are exploring the american country & folk tradition, playing old (but never out of) fashion male-female duets, singing their hearts out.. and they are doing it all exceptionally well. They first started out playing Gillian Welch’s songs, but have since expanded their repertoire and nowadays you can also hear them cover other artists from Hank Williams to Holly Golightly. Last friday at Flavour Of The Month club, they also gave the world premiere to the first Carmen & The Devil original Love Drove My Baby Away. A song has to be pretty damn good, if it doesn’t feel any weaker than the Gillian Welch songs they were playing and this one didn’t. I will be ecstatic if they one day have a full EP/album of their own material. Oh, to tell you the truth, I’m already ecstatic, because The first Carmen & The Devil release Live by the Kitchen Table is out and available as a limited edition c-cassette! It contains Love Drove My Baby Away and some great covers. Demand is apparently high and Fredde’s cassette factory is running on overcapacity, but if you are interested in one, you better visit the best record store in Turku/Finland/World, 8raita Record Store.

Listen to the amazing Carmen & The Devil original Love Drove My Baby Away and their rendition of Rattlin’ Bones (song by Kasey Chambers & Shane Nicholson) below. Both are from the Live by the Kitchen Table cassette.

Love Drove My Baby Away:
[youtube=http://www.youtube.com/watch?v=xDoxJeyQ9I8]

Rattlin’ Bones:
[youtube=http://www.youtube.com/watch?v=4hVHpVcxdl4]

Continue Reading

Reissues & Compilations of the Year 2010

Just one more pointless year-end list to go and then it’s time to move on.

FAVOURITE REISSUES & COMPILATIONS OF THE YEAR 2010:

10. Kathy McCord: From New Jersey To Woodstock (Big Beat, 2010)

Kathy McCord’s self-titled album has been a highly sought cult classic. Well not highly sought by me obviously. Up until this reissue I had never heard her name. But that just shows how little I know about folk music. Big Beat’s beautiful 2CD reissue contains the whole album on one CD and another disc full of previously unreleased tracks from the seventies. The cult classic is worthy of that “cult” status. It’s a really wonderful album and shows that her name should be said in the same sentence with Vashti Bunyan, Linda Perhacs and Sibylle Baier. However, I’m not that excited about the second disc. It’s not bad my any means, but there’s not much really exciting material there. Perhaps a cheaper one CD edition could have been a better option, with 5 or 6 best of those unissued tracks as bonus tracks after the magnificent self-titled album.

9. Califia – The Songs Of Lee Hazlewood (Ace Records, 2010)

If I had some money, I would buy all the Songwriter Series compilations that Ace Records are releasing. Even when I don’t have money, I have to buy some of them like this new one that introduces the songwriting talent of the great Lee Hazlewood. But why haven’t I really paid much attention to Dino, Desi & Billy beforehand. I love both of these songs on Califia. Totally my kind of stuff. That’s just one example. There’s a lot of great songs and cool performances on this one.

8. Bruce Springsteen: The Promise (Sony, 2010)

I’m not the world’s biggest Bruce Springsteen fan, but I do love almost everything up until Nebraska (obviously some later stuff as well like Devils & Dust). I didn’t have the money or the interest to invest to the giant 3cd + 3dvd packet and settled for this wonderful 2cd set. There’s nothing that haven’t already been said about this one. If you love Bruce, you will love this. If you don’t love him, I promise this won’t change your opinion.

.
7. Book A Trip: The Psych Pop Sounds Of Capitol Records (Now Sounds, 2010)

Now Sounds searched the Capitol Records vaults and found 26 psych pop / soft pop / sunshine pop gems. Ok, maybe not all of them are pure class A gems, but a huge chunk of them really are. Book A Trip is a fantastic compilation full of obscure bands and obscure songs. I’m in love with the Sidewalk Skipper Band, Burgundy Street Singers, Summer Snow and many others.

6. The Holy Mackerel: The Holy Mackerel [Deluxe Expanded Edition] (Now Sounds, 2010)

The Holy Mackerel was a short-lived 60s pop band led by the wonderful Paul Williams. I hadn’t heard The Holy Mackerel beforehand, but Paul Williams made my expectations sky high. The Holy Mackerel album didn’t disappoint. It contains lots of little pop treasures. Nothin’ Short Of Misery always makes me smile with lines like “I said woman / if you are looking for excitement honey / Do your looking elsewhere and someday you will see / that the life of high excitement isn’t half as fun as being bored with me”.  A wonderful album and the song Bitter Honey is stylewise like the prologue to the solo album Someday Man that followed two years later and turned out to be one of the greatest sunshine pop albums ever released.

5. Luke Gibson: Another Perfect Day (True North, 2010)

Luke Gibson’s Another Perfect Day is a great Canadian folk album. Luke Gibson is probably better known from Luke and The Apostles if you know a little bit about canadian music. I don’t know and therefore I didn’t know anything about Luke Gibson before I found this album. Anyway, Another Perfect Day is a really gorgeous folk & country rock album. Such a lovely and heartwarming music.

4. Jim Sullivan: U.F.O (Light In The Attic, 2010)

Jim Sullivan’s story is mysterious. In march 1975 Jim Sullivan disappeared in New Mexico and nobody knows what happened. Up until now, his music has been really mysterious as well. Hopefully that is about to change. Thanks to Light In The Attic who released Jim’s debut album U.F.O. However, I was actually slightly disappointed after a couple of first listening sessions. At that point I thought that the story itself was more interesting than the music. Thankfully you know that I’m often totally clueless. Nowadays I’m totally into this album and regard it as a folk rock classic. Whistle Stop was the real eye opener and soon I fell in love with the whole album.

3. Ted Lucas: Ted Lucas (aka The Om Album) (Yoga Records, 2010)

I’m totally addicted to this album by Ted Lucas. Or let me rephrase that. I’m completely addicted to the first six songs on this album. The last three songs are not my cup of tea. I think I need to get some kind of enlightenment to understand Indian guitar raga. I’m obviously not ready for that yet. Still this has to be on the podium, because of those first six songs. Oh my oh my. That’s just perfect music. In a way so simple, but still so incredibly captivating and magical psych-folk. I’ve listened to these six songs huge amount of times during the past month. I just can’t get enough of them no matter how hard I try.

2. Blaze Foley: The Dawg Years (Fat Possum, 2010)

Blaze Foley was a country legend. Well maybe still way too unknown to be a legend, but a fantastic songwriter and a true cult hero nevertheless. Blaze Foley is probably best known as the writer of Merle Haggard’s hit If I Could Only Fly, but that’s just one fantastic song he wrote. This wonderful compilation The Dawg Years gathers together his amazing early recordings from 1976 to 1978. Oh and you can watch a great documentary Duck Tape Messiah about him at imdb.com.

1. Paul Williams: Someday Man [Deluxe Expanded Edition] (Now Sounds, 2010)

I rarely buy albums that I already own, but this time I had to make an exception. My favourite reissue label Now Sounds releasing one of my favourite albums. How could I resist that. Paul Williams’ Someday Man is a truly wonderful and totally amazing sunshine pop treasure.  Paul Williams and  Roger Nichols wrote a lot of great songs together like The Carpenters’ hit We’ve Only Just Begun, but to me this album is their finest effort. Perhaps a lot said, but this is just perfect from start to finish. I even have all the reasons to hate it. I usually prefer simple, down-to-earth things. Just man and an acoustic guitar is often enough. Still I totally love this heavily orchestrated pop heaven and it never sounds too big or overproduced to me. It just works beautifully on every level. The reissue of the year. No doubt about it.

One more thing! Because I bought this Now Sounds Edition, I now have a Collector’s Choice 2005 CD release of this album that I don’t need anymore. It’s got some minor scratches (I blame careless FOTM DJ Team), but nothing that would affect the play. I thought I give this one away. If you want it, leave a comment below. Everyone who comments this entry (and wants the CD) before sunday (23rd) midnight is in for the draw. No need to leave a full name, first name or nickname will do just fine. I’ll make the draw on monday 24th and after that one lucky person gets this beautiful album free of charge. Only for Finnish residents though. I’m not prepared to pay for international shipping.

Update: There doesn’t seem to be much interest towards a free Paul Williams CD. Well let’s change the deadline to 6th of february and see if some interested souls arrive. If not, then I just keep ’em both.

Continue Reading